1·She always denied that her protagonists were modeled on any actual people, and in particular was adamant that Roark was not a fictionalized Frank Lloyd Wright.
她始终否认自己的主角以任何现实人物为原型，尤其是坚决否认罗克是小说化的弗兰克·劳埃德·赖特。
2·That can also mean dispossessing local people who, denied ownership of a forest they may have considered their own for centuries, tend to become protagonists in its destruction.
这还可能意味着剥夺当地人的权利。由于几百年来一直视为己有的森林的所有权遭到否定，这些当地人容易变成破坏这些森林的主角。
3·Both Bryan Cranston's Walt and Aaron Paul's Jesse were pushed to extremes of thought and action that challenge the fundamental sympathy we're supposed to have for the protagonists of a weekly drama.
布赖恩克兰斯顿饰演的沃尔特和亚伦·保罗饰演的杰西上升到了动作与思想的极端，极大地挑战了观众对周剧主角最基本的同情。
4·The other mystery is artistic: can James Ellroy's Los Angeles novels, with their symphonic plots and Dostoyevskyan cop protagonists, be adapted to the screen?
第二大疑惑是：詹姆斯•艾洛伊（James Ellroy）以洛杉矶为背景，情节紧凑并配以陀思妥耶夫斯基（注1）式警察为主角的小说，能否被搬上银幕？
5·His protagonists are usually ordinary people trying to get by in life, until some type of ethereal male guide steers them into a new direction, sometimes quite literally.
作品主角通常是生活还过得去的普通人，然后出现一位男性灵魂导师把他们的人生转向新的方向，在某些作品中相当直白。
1·The new conflict is more dangerous than the traditional one between man and his fellow man, where the protagonists at least shared a common language.
新的冲突比传统的人与人之间的冲突更危险，在传统的冲突中，主人公至少有共同的语言。
2·In Rand's Objectivist philosophy, intelligence, rationality, and achievement are all associated with her own ethics, and therefore with her protagonists.
在兰德的客观主义哲学里，智慧、理性，还有成就都和她自己的道德联系在一起，也因此与她笔下的主人公联系在一起。
3·Most of his protagonists have been men in their 30's, easygoing solitary types with spotty romantic histories and a taste for jazz, whiskey and American films.
他笔下决大多数的主人公都是三十多岁的男子——为人随和，孤独内向，有着不明不白的情史，喜欢爵士乐，威士忌和美国电影。
4·In this, Graham Swift's breakthrough novel of 1983, the flat, liquid landscape of the Fens holds the teenage protagonists in a vice-like grip.
在1983年的这部格雷厄姆·斯威夫特的突破性小说中，Fens平坦清澈的风景紧紧拥抱着少年主人公。
5·On the basis of the former critics' research, this thesis attempts to go one step further to explore the roles of the children protagonists in the themes and structures of the two novels.
在现有的关于两部作品研究的基础上，本文旨在从作品主题和结构两方面，对这两部历险记做进一步的分析，探究儿童主人公在作品中的作用。